Artist Interview : Sashiko by ITOTSUZURI

The work of ITOTSUZURI is based on Shonai Sashiko, but could you explain the difference between what is generally known as "sashiko" and "Shonai Sashiko"?

Sashiko is a traditional handwork that developed in the cold and harsh climate of the Tohoku region, where fabric was precious. The three major types of sashiko in Japan are "Shonai Sashiko" from Yamagata Prefecture, "Tsugaru Kogin Sashi" from Aomori Prefecture, and "Nanbu Hishi Sashi" from Iwate Prefecture. The main difference is that Shonai Sashiko is stitched on cotton fabric, while Kogin and Hishi Sashi are done on linen. The patterns born from the lives of farmers in northern Japan are often inspired by the natural surroundings. Many of these designs represent prayers for abundant harvests, bountiful catches, and fertility, created by women living alongside the harsh natural environment. These patterns were passed down from mother to child.

What inspired you to start working with Sashiko?

My first encounter with sashiko was when I participated in a sashiko circle in Yamagata Prefecture. I was simply amazed by the beauty of the Shonai Sashiko patterns. What I witnessed there was sashiko created in a peaceful environment, where elderly women gathered, chatting about their lives and families while working with their hands. The beauty of what was created by human hands, and the important daily life with family behind it, made me feel something deeply human.

I truly believe that the Maekake is a magnificent masterpiece! Multiple patterns are arranged like a collage - it's so easy to get lost in its intricate details. Is there a special meaning behind this Maekake? How do you decide where to place each sashiko pattern (the overall design composition)?

I don’t decide where to place each pattern on the Maekake before I begin stitching. I usually start with a vague image in my mind, and once I finish one pattern, I step back and look at the whole piece, deciding what to do next. I really enjoy these moments, as if I’m having a conversation with the fabric and the patterns. It takes about two months to complete the Maekake. As I touch the same fabric day after day, there comes a moment when I feel as though my hands, holding the needle, have become one with the fabric. In those moments, I sense something latent within the awareness, the shifting sensations, and the emotions that emerge. I believe I make Maekake to connect with that 'something' born between the object and myself.

When customers of UGUISU, many of whom live outside of Japan, first encounter ITOTSUZURI's works and are introduced to the Japanese culture of "sashiko," is there a particular aspect of the pieces that you would like them to focus on or understand deeply?

ITOTSUZURI's sashiko works are applied to Japanese vintage fabric. I hope that those who have the opportunity to hold my work can feel the texture and faded colors of the fabric, which carry the history of its use. Both the vintage fabric and the sashiko embroidery evolve over time with use. It would make me happy if people could enjoy the evolving charm of the sashiko as they incorporate the piece into their everyday life, allowing it to be nurtured by its user.

It's truly amazing, and I deeply love your work! Thank you for sharing your thoughts and process with us. We hope your beautiful sashiko creations continue to inspire and bring warmth to all who experience them.

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